Photography that makes a difference.™
Shadows Of A Revolution
The fall of Nicolae Ceausescu took place in December of 1989 and the country slowly unraveled. Shadows of a Revolution began as a result of these events. The children of Romania had been abandoned by the State due to the collapse of the communist party and the social welfare system had all but been abolished instantaneously. Although many years had passed, the circumstances of the children had remained constant. The idea of these children being displaced due to economic hardship and forced to leave their families is an unbearable image for anyone to endure. Most children abandoned their families in the small villages they came from to make the dangerous migration to the capital city of Bucharest. Some of these children were placed into the sex trade while in transit, others as young as four years old hid secretly on trains with hope that the journey would bring them to the capital unharmed. Shadows of a Revolution is an ongoing 15 year exploration of the human condition that places hope on transition and growth for many of the youth of the streets.
For over 20 years, photographer Paul Gregory Newman has sought to capture the human condition in times of social and economic transformation. His visual collection is built on travels spanning more than 18 countries, including first-hand accounts of children surviving on the streets of Romania after the fall of Ceau?escu, a telling portrait of the impact of population growth in northern Mexico, objective observations of the Bikers for Christ motorcycle outreach and the low-rider culture in Española, New Mexico. Transcending the diversity of these images is the consistent theme present across his entire body of work, a poignant view of the common conditions and experiences we share regardless of circumstance.
Exhibitions in the United States, Mexico, and the UK have expanded the reach of Mr. Newman’s work, inspiring a broad audience through compelling imagery, and promoting education, outreach, and change.
Lágrimas do Rio Doce
Tears of the Sweet River
Photographer: Leonardo Merçon
The project Lágrimas do Rio Doce (Translation: Tears of the Sweet River) is an independent photographic-audiovisual production aiming to show the real consequences of this tragedy for biodiversity, local populations and traditional communities that depend on the river to survive. The river is rooted in the culture of fishermen, native americans (índios) and riverside populations. Through this project, these communities will be given a voice.
Photographer: Mustafah Abdulaziz
Initiated in 2011, “Water” is a fifteen-year photographic project. Water and humanity are moving towards a crisis. We live in a time when 650 million people have no access to safe drinking water; when our rivers, basins and lakes are affected by decades of industry; when rising sea levels are placing Pacific Islanders in the cross-hairs of becoming the first climate refugees. The complexity of our relationship with water reflects our greater behavior towards our environment, which we’re beginning to understand has a defining impact on our planet.
Breaking the Cycle
a documentary film
Photographer: Dan Lamont and Sara Finkelstein
The facts are startling: the United States incarcerates more of its citizens than any other country on Earth. Those who fill the jails often come from fractured families with pernicious, multigenerational histories of poverty, substance abuse, mental illness, and domestic violence. Kids from such environments too often get in trouble. Incarcerated youth have a 75 percent chance of reoffending as adults and the cycle continues. It is a terrible tragedy and a colossal waste of human lives and social resources.