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Greg Constantine In The News

November 18th, 2008

Exiled To Nowhere - Discriminatory citizenship laws imposed by the Burmese government have systematically stripped over one million Rohingya in the Rakhine state of western Burma of their citizenship. Blind in one eye after being beaten in the head during forced labor, the man fled from Burma in the mid 1990’s and is one of an estimated 100,000 stateless Rohingya now living in the southern part of neighboring Bangladesh. © Greg Constantine

Blue Earth photographer Greg Constantine’s project “Nowhere People” is profiled in the current, November 2008, issue of PDN magazine.  Constantine’s photographs provide a sensitive record of the effects of statelessness on the lives of people without citizenship in their own homes, or anywhere in the world – these individuals “for various reasons, are the unwanted and the unwelcome and are some of the most vulnerable and disenfranchised people in the world.”

In addition, a large multimedia gallery of his work in Burma from this past July surveying the damage wrought by cyclone Nargis was published by the International Herald Tribune and has been nominated for the UNICEF Photo of the Year Awards.

- Bart J. Cannon, Program Manager

Photos From Last Week’s Benefit For The FEAR Project

November 18th, 2008

Photos by Benjamin Drummond

This past week, the Park Pub hosted a benefit for Tim Matsui, a past Blue Earth Project Photographer, and the FEAR Project, a nonprofit organization providing documentary coverage of the effects of sexual assault as well as domestic and international human trafficking.  Matsui is returning to Phnom Penh this week to finish work on his piece “Cambodia: Victim to Survivor,” supported in part by a small grant from King County 4 Culture Arts and by donations from individuals.  All reports are the fundraiser was a big success.

Our best wishes to Tim on the next stage of his project!

- Bart J. Cannon, Program Manager

Opening Night For “The Innocent”

November 17th, 2008

Heather McClintock at opening night.  Photo by John Trotter.

Last week Gallery FCB in New York hosted a reception opening Heather McClintock’s exhibit “The Innocent” featuring her work in Uganda.  The night was a huge success with over 150 attending the opening.

The show runs from November 13, 2008 through January 1, 2009.  Read more about Heather’s story of her time in Uganda in her own words.

- Bart J. Cannon, Program Manager

Daniel Beltrá Shares The Personal Story

November 13th, 2008

Blue Earth project photographer Daniel Beltrá (at the podium) takes time to chat with attendees after his presentation. Photo by Dorothy Rissman.

This past weekend, Blue Earth kicked off our new lecture series with a compelling presentation by Daniel Beltrá on his work in the Amazon rainforest.  Approximately 90 attendees had the opportunity to hear Beltrá discuss his ongoing efforts to document the tragic destruction of the rainforest in South America.  He has been photographing the region since 2001 and has worked extensively with Greenpeace in their educational work.  While the photographs were fascinating, it was the opportunity to hear the story in the words of the photographer himself that made the presentation such a rewarding experience.

This was only the first in what will be a series of informative lectures that Blue Earth will host in the upcoming year.  Scheduled lectures include current and former Blue Earth photographers; be sure the mark your calendar:

Camille Seaman - January 10, 2009
Benjamin Drummond & Sara Joy Steele - March 14, 2009
Tim Matsui - May 9, 2009

All lectures are held Saturdays, 2 p.m.at the Henry Art Gallery Auditorium, 15th Ave NE & 41st Street in Seattle.  Admission is free for Henry Art Gallery and Blue Earth members; $5 for students w/ ID or $10 for general admission.  Tickets will be available at the door.

- Bart J. Cannon, Program Manager

“The Innocent” - Blue Earth Photographer Heather McClintock On Her Work In Uganda

November 11th, 2008

Alema Rose, Aler IDP camp, Uganda, 2006 © Heather McClintock

There comes a time in each of our lives when we question who we are, what we wish to become, why we are here.  Sometimes we fall and break, sometimes we rise to what is in each of us, sometimes we do nothing.  Facing my personal demon meant deciding whether to remain on the path I had safely chosen, or find the courage to embrace the elusive unknown.  I hunger and am restless for intimacy, purity, and hope: seeking visual truth as evidence that we are all one.

Over a period of six months I lived in northern Uganda, initially pursuing my desire to focus on humanitarian relief work; and instead finding myself longing to document the strength of will and hope smoldering in every unwavering look, subtle gesture, or shrouded moment of unfathomable contemplation.  The Acholi tribe has gracefully and with fire, shared their strength and courage amidst conflict.  Quietly, yet almost defiantly they entrusted me with their pain and beauty, entwining their demon with mine.  In a voice that soars, they bestowed their stories of devastation and dignity, reflecting the ambiguity and mystery that resonates within each of us.

I am more than this.

After more than twenty years of civil war in northern Uganda and two years of peace negotiations between the Lord’s Resistance Army (LRA) and the government’s Uganda People’s Defense Force (UPDF), the peace process has all but been declared dead.  For now, peace in the north has been transferred to instability in northeastern Democratic Republic of Congo as the LRA have recently abducted over 159 children, killed at least 52 civilians and reportedly displaced up to 75,000.  In the northern region of Uganda, the Acholi tribe has been caught in the middle of this complex and barbaric civil war, in which countless numbers have been brutalized, and abducted minors comprised almost 90% of the rebel soldiers.  It is estimated that as many as 66,000 children have been abducted by the LRA, wrenched from their families and forced to become soldiers and sex slaves.  The Ugandan government’s strategy of moving northerners into “protected villages” has turned into a displacement nightmare for 1.7 million people - over 80% of the region - who now live in squalid camps and lack access to basic resources.

Uganda, known as the Pearl of Africa, is located in the continent’s geographic heart and bordered by Sudan, Kenya, Tanzania, Rwanda and the DRC.  The civil war in the north is an almost incomprehensible conflict that arose from a repressive colonial past and years of division between the north and south.  The end result was a political rebellion that set the stage for an insurgency by the LRA.  Fearing discrimination by Uganda’s government, the LRA represented the Acholi ethnic group in Uganda’s northern districts.  The LRA evolved into its current leadership under religious extremist Joseph Kony, and his cult-like guerilla army, which has combined an apocalyptic spiritualism with opportunistic politics and warlordism.  As the war progressed, the support of the war-weary Acholi diminished; so Kony turned his wrath upon his own tribe.  Geography, porous borders, low risk/high reward raids on civilian targets, regional rivalry and proxy relationships involving the Ugandan government, the government of Sudan, the Sudan People’s Liberation Army and the US government have sustained the life of the LRA, making this Africa’s longest running conflict and as one senior U.N. official described it “the world’s worst neglected humanitarian crisis.”

The Acholi are a proud and gracious people who want nothing more than to be educated, sleep safely in their own homes, have food to eat and clothing on their backs, live in peace; no different than you and I.  We are all inextricably linked in this complicated and imperfect life we share, and while these images only touch upon their unimaginable suffering, it is my hope that they will underscore this simple equation, and that viewers will lend compassion towards all brave survivors of conflict.

Heather McClintock

 

Gallery FCB in New York is hosting an exhibit “The Innocent” from November 13, 2008 through January 1, 2009 featuring the work of Blue Earth photographer Heather McClintock in Uganda.

For more information on the conflict in Uganda and recovery efforts:


Resolve Uganda

African Youth Initiative Network

Medical Teams International

Freidis Rehabilitation and Disable Center
freidishp@yahoo.no
cjogole@yahoo.no

Rachele Rehabilitation Center: now Rachele Comprehensive Secondary School

John Trotter Exhibt At The Gallery Space At Wagner, NYU

November 7th, 2008

Corvina (a kind of sea bass) are unloaded from a panga on the Rio Colorado to be gutted and cleaned at a Cucapá fishing camp near the mouth of the Colorado River at the Gulf of Mexico.  The Cucapá have had to battle Mexican government authorities and non-native fishermen to continue to use their traditional fishing grounds for the annual winter corvina harvest, which has been the tribes main source of income for each year, because the area is now considered part of the nucleus zone of the Upper Gulf of California National Biosphere Reserve. © John Trotter

If you are in New York between November 11 2008 - January 20, 2009, be sure not to miss the John Trotter exhibit “No Agua, No Vida: The Colorado River” at the Gallery Space at Wagner-New York University, 2nd Floor at The Puck Building, 295 Lafayette Street in New York, NY.

The exhibit highlights Blue Earth project photographer Trotter’s ongoing work documenting the effects of misguided regulatory policies and initiatives on the Colorado River as well as its neighboring populations.  The project has taken Trotter through regions crossing the US-Mexican border, and a considerable part of the exhibit focuses on his explorations of Colorado Delta in Mexico.

There will be an opening reception Tuesday, November 11, 5:30-7 p.m.  For more information about the exhibit, contact wagner.gallery@nyu.edu or (212) 998-7535.  The exhibit is sponsored by the Robert F. Wagner Graduate School of Public Service in partnership with the Steinhardt School of Culture, Education and Human Development and is curated by Frank Crescioni-Santoni and the Gallery Space at Wagner Committee.

- Bart J. Cannon, Program Manager

Blue Earth Photographers At The Centennial Center Gallery In Kent, WA

November 5th, 2008

© Benjamin Drummond & Sara Joy Steele

Blue Earth’s Board of Directors and the Kent Arts Commission are proud to host a public reception on Thursday, November 13th from 5 – 8 p.m. at the Centennial Center Gallery for the new exhibit “From Antarctica to the Amazon: Blue Earth Photographers Document Global Climate Change”.

This exhibit highlights the work of Blue Earth photographers Benjamin Drummond & Sara Joy Steele; Daniel Beltrá; Gary Braasch; and Camille Seaman.   Each photographer, working in regions as diverse as the Amazon rainforest and the Arctic, illustrates the effects of climate change on the natural world as well as in the lives of people directly challenged by these shifts in their environment.

The exhibition runs from November 6th through January 2nd, 2009 at the Centennial Center Gallery, Kent City Campus, 400 West Gowe Street in Kent, WA.

- Bart J. Cannon, Program Manager

This Week In Photography Podcast

October 31st, 2008

Looking for information about photographic techniques, tips, and software reviews?  Then you might like to know Blue Earth photographer Steve Simon is a contributor to the popular podcast This Week In Photography.  Co-hosted by Alex Lindsay and Scott Bourne, TWIP is an entertaining but very informative podcast on all things photography – cameras, techniques, software, developments, and more.  Both Lindsay and Bourne are experts in photography and computer graphics, and all the contributors are equally good at sharing the benefits of their experience in an approachable format.

And if you are a computer geek like me, you may also know Lindsay and Bourne as regulars on MacBreak Weekly, another favorite podcast.

- Bart J. Cannon, Program Manager

Photographs Of Time

October 28th, 2008

Technology is not always the friend of storytelling.  If it were, the most elaborate, big-budget special effects films would be the best ever made – and that’s hardly the case.

Occasionally, however, even old-fashioned newspaper publishers can come up with a clever use of technology to add life to the stories they’re trying to tell.  This is the case with a recent David W. Dunlap article on the Hudson River shoreline in the New York Times.  Rather than simply posting comparative images side by side, or in a static slideshow, the paper’s web site allows visitors to pull the present over the past in a literally “sliding” show.  Admittedly, it’s not a major piece and only two photos.  Still, the article demonstrates a use of technology that actually adds value to the photographic presentation – something one doesn’t often find.

- Bart J. Cannon, Program Manager

Visit Blue Earth At Photo Plus Expo

October 23rd, 2008

If you are in New York for this year’s Photo Plus Expo, be sure to stop by our booth and see your friends at Blue Earth.  Our booth is #1921, and we’re here in the exhibit hall starting today, Thursday, October 23rd through Saturday, 25th at the Jacob Javits Convention Center.

Stop by and find out more information about Blue Earth’s mission, become a member, attend book signings, learn about our project photographers, or even just say “hello” to members of our board and volunteers.  See you in New York!

- Bart J. Cannon, Program Manager

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